"The Conjurer’s Revenge" by Stephen Leacock

 "The Conjurer’s Revenge" by Stephen Leacock is a humorous short story that revolves around a conjurer (magician) and an annoying man in the audience who repeatedly spoils his tricks. The story uses wit and satire to explore themes of showmanship, revenge, and the battle between performers and their audiences.  


About the writer:

Stephen Leacock (1869–1944) was a Canadian teacher, political scientist, and one of the most famous humorists of the early 20th century. He is best known for his humorous essays and stories that satirize the absurdities of everyday life. Leacock's blend of wit, irony, and lighthearted humor made him a beloved writer in both Canada and abroad.



Main Characters:

  1. The Conjurer – A skilled magician who performs various tricks and illusions for an audience. He becomes frustrated with one particular spectator who tries to ruin his act.
  2. The Annoying Man (The Quick Man) – An obnoxious man in the audience who repeatedly interrupts the conjurer’s performance by loudly revealing the supposed "secrets" behind each trick. His interruptions are based on false assumptions, but they cause the conjurer great frustration.
  3. The Audience – The general spectators who are amused by the Quick Man’s comments and react to the unfolding battle between the conjurer and his heckler.

Summary:

The story opens with the conjurer, who is performing a magic show for an audience. He begins his act with a trick where he "produces" a series of ordinary items from a top hat, such as eggs. As he performs this classic trick, the Quick Man, a spectator in the audience, loudly shouts, "He had them up his sleeve!" implying that the conjurer is using a simple sleight of hand to produce the objects.

The Quick Man's comment immediately undermines the conjurer’s performance, and the audience laughs. Although the Quick Man’s guess is wrong, his loud declaration takes away the surprise element of the trick and reduces its impact.

The conjurer continues with his show, performing various illusions. However, the Quick Man repeatedly interrupts with false claims about how the tricks are done. For example:

  •  The conjurer performed the following tricks:

    The first trick was he took bowl of goldfish from an empty cloth. The second trick was the famous Hindostanee rings tricks. The rings are separated initially but at the blow of the conjurer they all join. The third trick was extracting 17 eggs from the hat. The audience were astonished for 35 seconds and thought it was a wonderful magic. The next tricks he performed was  several packs of card, a loaf of bread, a dolls cradle, alive guinea-pig, a fifty cent piece and a rocking chair.

     The quick man after every trick used to say ‘He-had-it-up-in-his-sleeves' The quick man’s comments convinced the audience that it was no magic and the conjurer got upset. The  Quick man spoiled each and every trick of the conjurer and the audience started losing interest in the tricks. So the conjurer decided to take revenge of the quick man.

Each time, the audience laughs at the Quick Man’s explanations, even though they are wrong, and the conjurer becomes increasingly frustrated. The conjurer is upset because the Quick Man is not only misinterpreting the tricks but also ruining the enjoyment of the audience by exposing his supposed "methods."


The Conjurer’s Revenge:

Finally, after tolerating enough interruptions, the conjurer decides to take his revenge. He resolves to turn the tables on the Quick Man by giving him a taste of his own medicine.

In the next part of the show, the conjurer performs a series of mock tricks, with the sole intention of embarrassing the Quick Man and taking revenge on him. Instead of using real magic, the conjurer pretends to perform absurd tricks, and each time, he announces exactly what he is doing, mocking the Quick Man’s earlier behavior. For example:

  • The conjurer takes the Quick Man’s watch, smashes it with a hammer, and says, "He has another up his sleeve!" mimicking the Quick Man’s earlier comments.
  • He "borrows" the Quick Man’s hat and tears it to pieces, saying, "He had another hat up his sleeve!"
  • He burns the Quick Man’s coat, announcing, "He has another coat up his sleeve!"

The audience, thinking these are actual magic tricks, laughs and enjoys the show. However, the Quick Man, who realizes that these are not illusions but actual destruction of his personal belongings, becomes increasingly distressed. He tries to object, but the conjurer is now in control of the situation, and the audience remains unaware of the revenge plot unfolding in front of them.

Each time, the conjurer continues the act with a mock explanation that mimics the Quick Man’s earlier interruptions. He systematically ruins the Quick Man's possessions while pretending to perform magic tricks. The audience believes it is all part of the show and continues to find it hilarious.


In the end, the Quick Man is left humiliated and without his belongings, as the conjurer has destroyed his watch, hat, coat, and other items. The conjurer concludes his performance, having successfully turned the tables on the Quick Man, and exits triumphantly. The story ends on a humorous note, with the Quick Man having learned a painful lesson about meddling in a magician’s act.


Analysis of Key Themes:

  1. Revenge and Justice: The central theme of the story is the conjurer’s revenge against the Quick Man. The conjurer’s patient endurance gives way to a clever and satisfying act of retaliation. Leacock portrays this revenge in a humorous light, where the conjurer uses the very tactics that the Quick Man employed against him to achieve poetic justice.

  2. Audience vs. Performer: Leacock explores the dynamic between the performer and the audience. The Quick Man’s role as a heckler disrupts the delicate relationship that exists between the magician and his spectators. The conjurer’s job is to create an illusion, but the Quick Man’s constant interruptions undermine this effort. The story satirizes those who, instead of enjoying the performance, feel compelled to expose or ruin the act for others.

  3. Humor and Satire: The story uses humor, particularly through the Quick Man’s ridiculous explanations of the tricks and the conjurer’s eventual revenge. The conjurer’s mock explanations of how he destroys the Quick Man’s belongings are both funny and clever, and the audience’s obliviousness adds to the comedy. The satire comes from the conjurer's patience wearing thin and his decision to beat the heckler at his own game.

  4. Illusion vs. Reality: Another subtle theme is the tension between illusion and reality. While the audience is entertained by the magician’s tricks, they are unaware that, in the end, the conjurer is not performing illusions but is actually destroying the Quick Man’s belongings. The audience remains unaware of the conjurer’s revenge, finding humor in what they believe are still magic tricks.

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